=590=
culture in general and in the music art, which is its «inner voice».
Starting with the romantics, it is history orientated towards the future, as well as individuality orientated towards freedom, that determined the ideological framework for the creative endeavour of music composers. History, future, individuality and freedom buried deep in the works of art, in their structure and language, their style and images merged together, forming a single whole. A continuous modernization of the technique of music composition became the expression of that process.
A method rejecting music composition technique began to take shape in the 1970s. Music began to withdraw from the framework of the author's originality, from the horizons outlining the future, from the path of continuous formation of a new language, and turned to real aspects of life, which are called in the book «the art of distribution», meaning the use of finished models, of languages and styles without any mark of individuality, that represented
a new generally understood concept (or its presentiment).
The turn in the art of music, which took place in the 1970s, calls the attention to broad problems of aesthetics, to the theory and history of music, to the problem of cultural hermeneutics. What is the relationship between the laws of music and music composition technique? What is the basis of the understandable and the semantics of the non-understandable in the music language? What is the meaning of the evaluation criteria, which are habitual in modern music, for example the correlation of the original and the trivial, and how the attitude to them is changing? What is the relationship between music composition of the European genesis and other types of music (for instance, folk music, church singing, traditional ceremonial genres, entertainment music, jazz and rock), etc.?
The turn of the 1970s was reflected in various ways in the creative endeavour of the Russian composers, to each of whom a whole chapter is devoted in the book. These include Georgy Sviridov, Alfred Schnitke, Sofia Gubaidullina, Valentin Silvestrov, Alemdar Karamanov, Galina Ustvolskaya, Nikolay Sidelnikov, Arvo Pyart, Vladimir Martynov etc.
Татьяна Чередниченко
МУЗЫКАЛЬНЫЙ ЗАПАС. 70-Е. ПРОБЛЕМЫ. ПОРТРЕТЫ. СЛУЧАИ
Редактор
С.Еремина
Художник
Ц. Черногаев
Корректор
Л.Белова,Э.Корчагина
Компьютерная верстка
М. Терещенко
Налоговая льгота – общероссийский
классификатор продукции ОК-005-93, том 2;
953000 – книги, брошюры
ООО «НОВОЕ ЛИТЕРАТУРНОЕ ОБОЗРЕНИЕ»
Адрес издательства: 129626,
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